Jump to content
Where our stories come alive
No related object types for the search.
Larger images unavailable
You need permission to reuse this image. Photography, supply and licensing fees may apply.
Fourth panel of the embroidery titled 'The Crimson Thread of Kinship'. The sky is beige on the left and it grades through progressively darker shades of blue to the right side. The 'crimson thread of kinship' runs across the scene and several sheets of paper floating above it. A grey road with a spotted white centreline crosses the bottom of the scene against a backdrop of green hills, with a hint of golden fields on the left side.
The collection consists of six embroidery panels worked in stem stich on Glenshee linen using Appleton's wool. The embroidery was designed by embroidery designer Sharon Peoples and is entitled The Crimson Thread of Kinship. Eighty five members of the guild were involved in stitching the embroidery and it is estimated that it took 6000 hours of work to complete. the work was inspired by Sir Henry Parkes quote 'the crimson thread of kinship' used by in a speech in 1890. Although Parkes originally used the phrase to symbolise Australia's British heritage, Sharon has reinterpreted the phrase to provide a different view of Australian history. The embroidery depicts a crimson thread floating across the landscape, carrying with it the unfolding story of Australia. The thread is carried by an embroidery needle, symbolising the act of creating and embellishing history.
W 1990mm x H 730mm
The embroidery was made to commemorate the centenary of Australian federation
The Guild received funding for this project from the Centenary of Federation Fund
The title of this work is based on the phrase "the crimson thread of kinship" written by Sir Henry Parkes to describe the relationship of the people of the Australian colonies with each other and with the mother country, Britain
The crimson thread carries with it the unfolding history of Australia