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Rats. Part of the Bama Bama story.
Bama Bama a spirit man was always involved in sexual matters he was sent on an errand to a neighbouring camp. He forced his intentions onto a young girl in the camp and killed her. The people became angry and made a trap for him when they caught him they threw him into the sea where he turned to stone. He remains there to this day. The rats came from Manguldji leaving their tracks and paw marks everywhere. They are also gossips and trouble makers. [ATSIC card catalogue]
Note: this was originally wrongly stated to be a painting featuring two possums. The correction was made after obtaining the original ATSIP card catalogue.
A colour bark painting featuring two rats with their heads at the top and their tails joined at the bottom with a circle between them filled with brown black and white dots. There is a light brown shape between them and the background is filled with crosshatching and dots.
The Aboriginal and Torres Strait Islander Affairs Art collection comprises 2050 artworks and other objects. The artworks - which numerically dominate the collection - were produced by Aboriginal and Torres Strait Islander communities throughout Australia. The accumulation of these artworks into a single collection has resulted from the choices and selections made during a 38 year period by a variety of staff working for the Council for Aboriginal Affairs (CAA), the Department of Aboriginal Affairs (DAA), the Aboriginal Development Commission (ADC) and the Aboriginal and Torres Strait Islander Commission (ATSIC) at the national, regional and local levels.
The collection spans the years following the 1967 referendum, when dramatic changes in the governance of Aboriginal people took place, up to 2005 when the Aboriginal and Torres Strait Islander Commission was dissolved. It provides a snapshot of the diversity and changes in Indigenous art and its representation which occurred during the period of its formation. The small number of 'non-art' objects in the collection is also significant in providing insights into the working of the various Commonwealth bodies involved in Indigenous affairs. As well as the significance of many of the individual pieces, the collection is also significant as a whole, as a complex artefact stemming from Australia's history of governance of Australian Indigenous peoples.
W 585mm x H 123mm x D 35mm
ATSIC branch office