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A watercolour landscape featuring a white barked tree in the foreground to the left of a body of water with numerous other white barked trees in the background. The artists signature is in the bottom right corner. On the reverse is the ATSIC asset number 'W-1217' on a silver sticker. The painting is framed under glass and has a white matt with a pink trim and a washed white wooden frame with gold edging. There is a piece of paper stuck to the glass with the title 'Trees at a billabong' and the artists name 'Lance Chad' in printed text.
The Aboriginal and Torres Strait Islander Affairs Art collection comprises 2050 artworks and other objects. The artworks - which numerically dominate the collection - were produced by Aboriginal and Torres Strait Islander communities throughout Australia. The accumulation of these artworks into a single collection has resulted from the choices and selections made during a 38 year period by a variety of staff working for the Council for Aboriginal Affairs (CAA), the Department of Aboriginal Affairs (DAA), the Aboriginal Development Commission (ADC) and the Aboriginal and Torres Strait Islander Commission (ATSIC) at the national, regional and local levels.
The collection spans the years following the 1967 referendum, when dramatic changes in the governance of Aboriginal people took place, up to 2005 when the Aboriginal and Torres Strait Islander Commission was dissolved. It provides a snapshot of the diversity and changes in Indigenous art and its representation which occurred during the period of its formation. The small number of 'non-art' objects in the collection is also significant in providing insights into the working of the various Commonwealth bodies involved in Indigenous affairs. As well as the significance of many of the individual pieces, the collection is also significant as a whole, as a complex artefact stemming from Australia's history of governance of Australian Indigenous peoples.
W 716mm x H 595mm x D 24mm
ATSIC branch office