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National Museum of Australia

Collection Explorer

4

Collections

  • Josef Lebovic Gallery collection no. 1(7553)

    On Brown's River Road, Tasmania
    Jubilee Park, Cootamundra, NSW
    Life-Saving Surf Boat, Manned by the Sly Brothers, Manly
    Burswood, the old home of the Henty's, Portland, Vic
  • Springfield Merino Stud collection(166)

    Card awarded at the Yass Spring Show, 1906, First Prize
    Certificate awarded at the Murrumbidgee Annual Show, 1889, First Prize
    Prize card awarded at the Murrumbidgee Annual Show, 1889
    First prize card awarded at the Yass Spring Show, 1906
  • American-Australian Scientific Expedition to Arnhem Land (AASEAL) collection(218)

    Painting depicts a large sawfish surrounded by two turtles and three stingrays
     The Two Men, Nabira-mira
    Borolo-borolo, work on paper, Yirrkala, 1948
    The Serpent-men, Jurlungur and Gadjalan
  • Behind the Lines 2007 collection(12)

    Dream time - nightmare time
    Between traditional and white culture
    Operation Johnny
    I make no apology

    The Behind the Lines 2007 collection consists of 68 political cartoons collected under the auspices of the National Museum of Australia's 2005-2007 Political cartooning targeted collecting project and the Behind the Lines 2007 political cartooning exhibition. There are 52 different artists represented in the collection including Alan Moir, Peter Nicholson, Cathy Wilcox, Mark Knight, Sean Leahy, Bruce Petty, Dean Alston and Ward O'Neill.

    The cartoons provide a satirical record of the major events and personalities in Australian politics in 2007. Major topics addressed within the collection include issues such as citizenship testing, the APEC summit, the rise of Kevin Rudd, the continuing conflicts in Afghanistan and Irag and an election year in which the Labour party regained the Federal Leadership. Taken together the collection provides a diverse visual archive of Australian political events in 2007 and demonstrates the quality of Australian political cartooning and illustration.

  • Timothy Millett collection(314)

    Convict love token from John, 1836
    Convict love token from W. James, 1826
    Convict love token from George Corney, 1831
    Convict love token from Patrick Grady, 1830

    The Timothy Millett collection comprises 307 convict love tokens dating from 1762 to 1856, and seven contemporary documents relating to the criminal justice system including: recommendations to commute the death sentences of Hester Sampson and Thomas Hayes to life transportation; a calendar of prisoners awaiting trial in the goals of Durham, Newcastle and Northumberland; a request to the Middlesex assizes for rewards to be paid; a printed copy of George Skene's last speech prior to execution; a printed broadside listing prisoners in Dorchester jail awaiting transportation; and a 60 page handwritten account of the life of Thomas Jones, who was transported twice and finally hanged at Winchester Prison in 1856.

    Convict love tokens, typically made from smoothed-down coins and engraved or stippled with a message, derive from traditional sailors' farewells. The production of these 'leaden hearts' rose as criminal indictments increased in Britain, with the majority produced during the 1820s and 1830s. As mementos made by or for convicts facing transportation (or death) to leave behind for their loved ones, the tokens provide a poignant, personal insight into the transportation system.

  • Springfield - Faithfull Family collection(3501)

    Pencil sketch of a stream with trees on bank and a tower in the distance, by R Cox
    Lett's Eighteen Penny Diary and Almanack for 1861
    Skirt made from a black velvet horizontal stripe over a pink-coloured base fabric
    Wig made of horse hair

    The Springfield Collection comprises about 1550 artefacts from Springfield station, south of Goulburn. It includes colonial era costume, a bushranger medal, surveying instruments, a late-19th century landau, firearms and edged weapons, wool samples and Joseph Foveaux's pocket watch and bible. The objects are complemented by over 400 photographs. This diverse collection reflects the growth and economic success of the property, responses to changes in the wool market and the daily lives of the people who have lived on Springfield.

    Springfield has grown from a 518-hectare land grant given to William Pitt Faithfull in 1828 to the current 3183 hectares with ownership remaining in the one family. William Pitt Faithfull established the Springfield Merino Stud in 1838 with ten rams selected from the Macarthur Camden Park stud. The stud evolved slowly over the years until the early 1950s when, under the management of Jim Maple-Brown, a scientific approach to wool-growing was adopted and the stud's name was changed to Fonthill to reflect this.

  • ET Fealy collection(303)

    Invoice
    Invoice
    Certificate
    Invoice
  • Nettie McColive collection(189)

    Certificate
    Certificate
    Certificate
    Certificate

    Needlework has been an important creative outlet for women throughout Australian history. This work has often been denigrated due to the (gendered) divide between high and low culture which regards domestic work as trivial, feminine and unworthy of the title "Art". A reassessment of history informed by womens' history and feminism has led to domestic needlework being acknowledged as more than simply functional labour. The social role of this type of work is now better appreciated making it a vital aspect of domestic material culture.

    This collection consists of objects relating to the life of Minetta (Nettie) McColive (nee Huppatz). Mrs McColive's quilts form the centre piece of the collection. Three of these were made in the 1930's, the Farm Life Quilt, Wildflowers Quilt and the International Quilt. Also featured in the collection are certificates, photographs and d'oyleys. This collection helps to document issues such as women in rural Australia, quilting and needlework, education in the outback, community or commemorative quilting, shows and competitions.

    Mrs McColive's work has been the subject of considerable interest both in South Australia as well as in the general quilting community. Her work is featured in two books, Jennifer Isaac's The Gentle Arts and Margaret Rolfe's Patchwork Quilts in Australia. Her work has also featured in exhibitions such as the Quilt Australia '88 exhibition as well as an exhibition held in Prospect showcasing the work of local artists.

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