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National Museum of Australia

Collection Explorer

4

Collections

  • Josef Lebovic Gallery collection no. 1(7553)

    Ruins - Mrs. Buller's Cottage. North Sydney Tornado
    Ferries coming into a wharf (Circular Quay)
    Circular Quay, from the Harbour, Sydney
    The Garden, Ararat
  • Dorothy Bennett collection(167)

    Bark painting ' 'Cursing the Lovers' A painting of retribution' by Paddy Compass Namatbara
    Bark painting 'Barama Shows the First Sacred Rangga' by Garwirrin Gumana, Gangan
    Bark painting 'The first firing of the bush at Caledon Bay' by Mungurrawuy Yunapingu, Port Bradshaw
    Painting depicts freshwater Barramundi and Jabiru taken from hut
  • Springfield - Faithfull Family collection(3501)

    Lady Dilke (nee Pearl Faithfull) in a garden - Pearl in the sweet peas
    Cat sitting on a chair in the garden at Springfield.
    Flock of sheep outside Bluestone Cottage at Springfield 1883
    Handwritten recipes

    The Springfield Collection comprises about 1550 artefacts from Springfield station, south of Goulburn. It includes colonial era costume, a bushranger medal, surveying instruments, a late-19th century landau, firearms and edged weapons, wool samples and Joseph Foveaux's pocket watch and bible. The objects are complemented by over 400 photographs. This diverse collection reflects the growth and economic success of the property, responses to changes in the wool market and the daily lives of the people who have lived on Springfield.

    Springfield has grown from a 518-hectare land grant given to William Pitt Faithfull in 1828 to the current 3183 hectares with ownership remaining in the one family. William Pitt Faithfull established the Springfield Merino Stud in 1838 with ten rams selected from the Macarthur Camden Park stud. The stud evolved slowly over the years until the early 1950s when, under the management of Jim Maple-Brown, a scientific approach to wool-growing was adopted and the stud's name was changed to Fonthill to reflect this.

  • Timothy Millett collection(314)

    Convict love token engraved with the names E. Frost, M. Throne, S. Noon
    Convict love token from William Tugby, 1831
    Convict love token from Charles Fry, 1833
    Convict love token from Jo Holloway, 1831

    The Timothy Millett collection comprises 307 convict love tokens dating from 1762 to 1856, and seven contemporary documents relating to the criminal justice system including: recommendations to commute the death sentences of Hester Sampson and Thomas Hayes to life transportation; a calendar of prisoners awaiting trial in the goals of Durham, Newcastle and Northumberland; a request to the Middlesex assizes for rewards to be paid; a printed copy of George Skene's last speech prior to execution; a printed broadside listing prisoners in Dorchester jail awaiting transportation; and a 60 page handwritten account of the life of Thomas Jones, who was transported twice and finally hanged at Winchester Prison in 1856.

    Convict love tokens, typically made from smoothed-down coins and engraved or stippled with a message, derive from traditional sailors' farewells. The production of these 'leaden hearts' rose as criminal indictments increased in Britain, with the majority produced during the 1820s and 1830s. As mementos made by or for convicts facing transportation (or death) to leave behind for their loved ones, the tokens provide a poignant, personal insight into the transportation system.

  • Springfield Merino Stud collection(166)

    Yass Spring Show, 1906, Second Prize
    Second prize card awarded at the Yass Spring Show, 1906
    Framed colour photograph of a stud ram
  • Patricia Heath collection(151)

    Kimberley Native
    Profile shot of an aboriginal man displaying tribal scarring across his body
    Kimberley Native - Gulanba
    Aboriginal man standing by a creek or river with his back to the camera displaying tribal scarring
  • Banks Florilegium collection(2476)

    Crataeva religiosa Capparidaceae
    Erythrina vespertilio Leguminosae
    Dillenia Alata
    Cochlospermum gillivraei

    The Banks' Florilegium was published by Alecto Historical Editions (London) in association with the British Museum (Natural History) between 1980 and 1990. Each of the 100 sets that comprise the edition consists of seven hundred and forty three botanical line engravings, after the watercolours drawn from nature by Sydney Parkinson recording the plants collected by Joseph Banks and Dr Daniel Carl Solander during their voyage round the world on HMB 'Endeavour' with Lieutenant James Cook, 1768-1771. Each set is divided into 35 parts and housed in Solander Boxes. Each print or sheet within the set is identified by a blind embossed stamp on the recto, recording the publisher's and printer's chops (ie: their signatures), the copyright symbol and date. The initials of the individual printer, the plate number and the edition number are recorded in pencil. The plate-marks are virtually uniform in size: 18 x 12 inches (457 x 305 mm), and the paper is Somerset mould-made 300gsm, each sheet watermarked 'AHE' and produced specially for this edition by the Inveresk Paper Company. The sheet of paper on which the image is printed measures 28 ½ x 21 inches (724 x 556 mm), and each of the engravings is protected within a double-fold sheet of the same acid free paper which has been cut to form a window mount. Every print includes watercolour embellishments added by artists working directly from Banks' own notes. The condition of the Museum's set, No 5/100, is excellent.

    The Banks' Florilegium records and celebrates the botanical discoveries made during the first voyage of scientific discovery undertaken by Britain's Royal Navy. In addition to the vast collections of botanical and zoological specimens created, astronomical observations made and accurate maps compiled during HMB Endeavour's voyage to the Pacific, the east coast of Australia was mapped and claimed for the British Crown, leading 18 years later to the establishment of a colony in New South Wales. Joseph Banks, who financed and led the natural history contingent onboard the Endeavour, planned to publish the botanical results of the voyage in a 14 volume folio work. He hired artists to complete Sydney Parkinson's drawings and engaged a team of 18 engravers to create the copperplates. The project took 12 years and was then put aside by Banks who was by now President of the Royal Society and closely involved with the Royal Horticultural Society, Kew Gardens, the British Museum and was a friend of and unofficial advisor to the King. Sir Joseph, as he became in 1781, would go on to serve as a member of the Board of Longitude, the Coin Committe and the Privy Council's Committee for Trade, and Plantations, and his wealth, social position and extraordinary range of contacts within the political, scientific, manufacturing and diplomatic spheres made him one of the most influential figures of his day. Although the Florilegium was not published during his lifetime, he took steps for its preservation and made the drawings, notes and specimens upon which it is based available to interested visitors to the Herbarium he maintained at his home.

  • National Sports Information Centre collection(37)

    American and NSW women swimmers at Toowoomba, Queensland, 1911
    Four women swimmers
    Black and white photograph of two women swimmers at Tooowoomba, Queensland, 1911
    Black and white photograph of Australian swimmers Fanny Durack and Mia Wylie with British swimmer Jennie Fletcher
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