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National Museum of Australia

Collection Explorer

4

Collections

  • Banks Florilegium collection(2476)

    Cochlospermum gillivraei
    Clerodendrum paniculatum
    Dendrophthoe vitellina
    Bomarea edulis

    The Banks' Florilegium was published by Alecto Historical Editions (London) in association with the British Museum (Natural History) between 1980 and 1990. Each of the 100 sets that comprise the edition consists of seven hundred and forty three botanical line engravings, after the watercolours drawn from nature by Sydney Parkinson recording the plants collected by Joseph Banks and Dr Daniel Carl Solander during their voyage round the world on HMB 'Endeavour' with Lieutenant James Cook, 1768-1771. Each set is divided into 35 parts and housed in Solander Boxes. Each print or sheet within the set is identified by a blind embossed stamp on the recto, recording the publisher's and printer's chops (ie: their signatures), the copyright symbol and date. The initials of the individual printer, the plate number and the edition number are recorded in pencil. The plate-marks are virtually uniform in size: 18 x 12 inches (457 x 305 mm), and the paper is Somerset mould-made 300gsm, each sheet watermarked 'AHE' and produced specially for this edition by the Inveresk Paper Company. The sheet of paper on which the image is printed measures 28 ½ x 21 inches (724 x 556 mm), and each of the engravings is protected within a double-fold sheet of the same acid free paper which has been cut to form a window mount. Every print includes watercolour embellishments added by artists working directly from Banks' own notes. The condition of the Museum's set, No 5/100, is excellent.

    The Banks' Florilegium records and celebrates the botanical discoveries made during the first voyage of scientific discovery undertaken by Britain's Royal Navy. In addition to the vast collections of botanical and zoological specimens created, astronomical observations made and accurate maps compiled during HMB Endeavour's voyage to the Pacific, the east coast of Australia was mapped and claimed for the British Crown, leading 18 years later to the establishment of a colony in New South Wales. Joseph Banks, who financed and led the natural history contingent onboard the Endeavour, planned to publish the botanical results of the voyage in a 14 volume folio work. He hired artists to complete Sydney Parkinson's drawings and engaged a team of 18 engravers to create the copperplates. The project took 12 years and was then put aside by Banks who was by now President of the Royal Society and closely involved with the Royal Horticultural Society, Kew Gardens, the British Museum and was a friend of and unofficial advisor to the King. Sir Joseph, as he became in 1781, would go on to serve as a member of the Board of Longitude, the Coin Committe and the Privy Council's Committee for Trade, and Plantations, and his wealth, social position and extraordinary range of contacts within the political, scientific, manufacturing and diplomatic spheres made him one of the most influential figures of his day. Although the Florilegium was not published during his lifetime, he took steps for its preservation and made the drawings, notes and specimens upon which it is based available to interested visitors to the Herbarium he maintained at his home.

  • Timothy Millett collection(314)

    Convict love token from F. Robinson, 1831
    Convict love token with the initials E.I., M.I., G.N. and S.O.
    Convict love token engraved with the name Frost
    Convict love token from George Paine, 1830

    The Timothy Millett collection comprises 307 convict love tokens dating from 1762 to 1856, and seven contemporary documents relating to the criminal justice system including: recommendations to commute the death sentences of Hester Sampson and Thomas Hayes to life transportation; a calendar of prisoners awaiting trial in the goals of Durham, Newcastle and Northumberland; a request to the Middlesex assizes for rewards to be paid; a printed copy of George Skene's last speech prior to execution; a printed broadside listing prisoners in Dorchester jail awaiting transportation; and a 60 page handwritten account of the life of Thomas Jones, who was transported twice and finally hanged at Winchester Prison in 1856.

    Convict love tokens, typically made from smoothed-down coins and engraved or stippled with a message, derive from traditional sailors' farewells. The production of these 'leaden hearts' rose as criminal indictments increased in Britain, with the majority produced during the 1820s and 1830s. As mementos made by or for convicts facing transportation (or death) to leave behind for their loved ones, the tokens provide a poignant, personal insight into the transportation system.

  • Josef Lebovic Gallery collection no. 1(7553)

    QSL card for VK2ES
    School of Mines, Adelaide
    Rose Bay, Sydney NSW
    Franco-British Exhibition, London, 1908
  • Springfield - Faithfull Family collection(3501)

    Mourning card for Isabella Lewis
    Faithfull family group outside Big House at Springfield
    Oakhampton Castle
    Sir Ernest Cable's property, Devon 1915

    The Springfield Collection comprises about 1550 artefacts from Springfield station, south of Goulburn. It includes colonial era costume, a bushranger medal, surveying instruments, a late-19th century landau, firearms and edged weapons, wool samples and Joseph Foveaux's pocket watch and bible. The objects are complemented by over 400 photographs. This diverse collection reflects the growth and economic success of the property, responses to changes in the wool market and the daily lives of the people who have lived on Springfield.

    Springfield has grown from a 518-hectare land grant given to William Pitt Faithfull in 1828 to the current 3183 hectares with ownership remaining in the one family. William Pitt Faithfull established the Springfield Merino Stud in 1838 with ten rams selected from the Macarthur Camden Park stud. The stud evolved slowly over the years until the early 1950s when, under the management of Jim Maple-Brown, a scientific approach to wool-growing was adopted and the stud's name was changed to Fonthill to reflect this.

  • Liesl Rockchild collection(68)

    Cowboy 1998
    Horse and Cowboy 1999
    Horses and Cowboy 1997
    Horses and Cowboy 1997,1999

    This collection contains sixty-eight bush toys commissioned for the Bush Toys exhibition and created from 1997 to 1999. The workd were made by evelven emerging and established artists from three Eastern Arrente communities from Central Australia. Â? Tristan Young, Calvin Smith, Christopher Wallace and Douglas Wallace, Ltyentye Apurte (Santa Teresa Mission); David Wallace and Johnny Young from Titjikala (Maryvale Station); Lindsay James, Clifford Tilmouth, Davey Tilmouth, Maxi Wehr and Michael Wehr from Engawala (Alcoota Station). Prior to their acquisition by the Museum, these works were exhibited as Bush Toys at a number of venues in rural and remote Australia.

    The objects are made from found and salvaged materials and are based on the toys that they either used or made as children and still make for their children or in Tristan Young's case still make and play with. Aboriginal communities have always produced toys for their children as teaching tools to prepare them for adulthood. Historically these were miniature versions of implements and utensils that were essential for daily survival such as toy spears, toy shields and toy boomerangs. Since the introduction of new materials like metal, plastic and glass, these toys have evolved to reflect the environment and lifestyle of the makers. Since the 1970s when many of the adults became involved in working on cattle stations, some of the toys modelled a horse and rider, some incorporated scenes of stockmen, stockyards and rodeos. Over time toys reflected changing technology in use on cattle stations. Trucks, motorbikes, helicopters and fixed-wing aircraft were made.

  • Claude Dunshea collection no. 1(4)

    Gold pan associated with Claude Dunshea
    Handmade wooden gold mining cradle on rockers
    Shovel
    Miner's short-handled pick
  • J Davidson collection no. 3(319)

    Bark painting 'The butterflies who sustain the 'shades' with nectar' by Binyinyuwuy, Milingimbi, 1967
    Bama Bama story - rats from  Manguldji.
    Painting depicts a crocodile and other creatures
    Bark painting depicting a male human figure with outstretched hands by David Malangi, Milingimbi, 1965
  • Buku-Larrngay Arts collection no. 1(44)

    Guwak ga Marrngu (Nightbird & possum).
    Miapunu ga guya (Turtle & Fish  Painting) 1 of 3.
    Possum by Maymirri 2
    Milky Way.
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