The Bali Bombings 2002 Memorial Collection - Parliament of Victoria collection is a small sample of the large amount of material left on the Victorian Parliamentary steps in the two weeks following the Bali bombing on 12 October 2002. The collection is made up of cards, letters, various paintings by children, wooden Catholic cross with fabric lei, wooden sculpture of a Balinese surfer carrying a surfboard, soft toys such as butterflies, soft koala teddy bears, dolls and football, two small Australian flags, small pieces of jewellery, some textile objects such as a satin throw and fabric flowers, vegemite jar, a 'In Memory' book signed by the members of the Ivanhoe Grammar School and community and a bound collection of children's drawings and letters from the students of Penleigh and Essendon Grammar schools.
Late on the evening of Saturday 12 October 2002, two bombs exploded in the crowded Paddy's Bar and the Sari nightclub on Jalan Legian, Kuta Beach, Bali, Indonesia. Shortly afterwards a third bomb exploded at the US consulate in Denpassar, Bali. Exact figures were difficult to substantiate, but at least 202 people were killed in the first two blasts and over 300 injured. Of the two hundred or more dead, eighty-eight were Australians. The deadly attacks produced profound shock in Australia. For many, this event seemed to bring home the immediacy of global terrorism, which had come to public prominence the previous year in New York and Washington.
The Jack Heenan collection comprises memorabilia, artwork, clothing accessories and industry journals relating to the career of Jack Heenan who worked for General Motors Holden (GMH) from 1935 until his retirement in 1974. He began his career working in forecasting, but later transferred to the sales department. These objects were used by Mr Heenan in his daily working life.
GMH has played an important role in the history of Australian motor transport. The early model Holdens (the FX and FJ) are among the most recognisable cultural artefacts of 1950s and 1960s Australia. Motoring memorabilia illustrates the passionate connection some people feel towards motoring and Holden cars. The creation of marketing symbols as functional and collectible items also demonstrates the nature of Holden's powerful marketing campaigns. This collection of objects also traces the evolution of Australia's motoring history, Holden's own sense of its history and connection to post-war development, and Holden's continuing prominence in the popular imagination.
The Canning Stock Route collection is comprised of 125 works and includes paintings, drawings, baskets, boomerangs, coolamons, headdresses, carved figures and shields.
The Canning Stock Route is a no-longer-used cattle droving route that traverses the Great Sandy and Gibson Deserts of central Western Australia. Comprised of 48 wells along an 1800 kilometres stretch of track, the route links Wiluna in the south with Sturt Creek in the north and traverses the traditional lands of nine Aboriginal language groups. The route was founded in 1905 when Alfred Canning was commissioned to investigate a route suitable for the droving of 500 head of cattle, with water sources spaced at intervals of no more than one day's walk apart. Although Canning's map records observations of the land and water resources, it makes no mention of Indigenous places and their associated meanings which the route traversed. This collection, composed of 'painting stories', sculptural works and oral histories, re-dresses Canning's omission and records the impact of the stock route on Indigenous lives and country. A six week journey with traditional owners held in July and August of 2007 inspired the artworks, many of which were produced during the journey, and provided an opportunity for more than 70 senior and emerging artists to reconnect with traditional lands..
The Springfield Collection comprises about 1550 artefacts from Springfield station, south of Goulburn. It includes colonial era costume, a bushranger medal, surveying instruments, a late-19th century landau, firearms and edged weapons, wool samples and Joseph Foveaux's pocket watch and bible. The objects are complemented by over 400 photographs. This diverse collection reflects the growth and economic success of the property, responses to changes in the wool market and the daily lives of the people who have lived on Springfield.
Springfield has grown from a 518-hectare land grant given to William Pitt Faithfull in 1828 to the current 3183 hectares with ownership remaining in the one family. William Pitt Faithfull established the Springfield Merino Stud in 1838 with ten rams selected from the Macarthur Camden Park stud. The stud evolved slowly over the years until the early 1950s when, under the management of Jim Maple-Brown, a scientific approach to wool-growing was adopted and the stud's name was changed to Fonthill to reflect this.
This collection consists of a variety of material used to promote the 'No' campaign for the Republic Referendum in 1999. Objects recommended for accession into the National Historical Collection include a t-shirt, placards, posters and stickers.
The material represents one of the major political debates in recent times, when Australians were asked to vote on the establishment of the Commonwealth of Australia as a republic and replace the Queen and Governor-General with a President.
The David Innes Watt Family Collection consists of an eighteen carat gold cup: the Tirranna Picnic Race Club Challenge Cup. It has two ornate handles and a lid with a small horse and was first presented in 1895. Mr David Innes Watt won the cup in 1899 with his horse Loch Leven, in 1904 with Chiefswood and in 1906 with Pleasure. With his third win, he earned the right to retain the gold cup in perpetuity. Crafted by Hardy Brothers Jewellers, the Tirranna Picnic Race Club Challenge Cup was awarded for the main race. In 1895 the gold cup was valued at Ã?Â£150.
From the early days of colonisation, picnic races have been a feature of rural life. Country people travelled long distances to these annual gatherings, some of which continued for several days and were accompanied by wild celebrations. The Tirrana Picnic Races were established in 1855 at Tirranna, a property outside Goulburn, New South Wales. In 1872 the railway from Sydney reached Goulburn, making the Tirranna Picnic Races more accessible to Sydney racing enthusiasts and by 1875, Tirranna was thought to be one of the best race tracks in the Colony. The Governor attended with due pomp and ceremony, along with other socialites and people of influence and the meeting was widely reported in the Sydney press, as were the fashionable gowns worn at the associated balls and dances.
Needlework has been an important creative outlet for women throughout Australian history. This work has often been denigrated due to the (gendered) divide between high and low culture which regards domestic work as trivial, feminine and unworthy of the title "Art". A reassessment of history informed by womens' history and feminism has led to domestic needlework being acknowledged as more than simply functional labour. The social role of this type of work is now better appreciated making it a vital aspect of domestic material culture.
This collection consists of objects relating to the life of Minetta (Nettie) McColive (nee Huppatz). Mrs McColive's quilts form the centre piece of the collection. Three of these were made in the 1930's, the Farm Life Quilt, Wildflowers Quilt and the International Quilt. Also featured in the collection are certificates, photographs and d'oyleys. This collection helps to document issues such as women in rural Australia, quilting and needlework, education in the outback, community or commemorative quilting, shows and competitions.
Mrs McColive's work has been the subject of considerable interest both in South Australia as well as in the general quilting community. Her work is featured in two books, Jennifer Isaac's The Gentle Arts and Margaret Rolfe's Patchwork Quilts in Australia. Her work has also featured in exhibitions such as the Quilt Australia '88 exhibition as well as an exhibition held in Prospect showcasing the work of local artists.