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National Museum of Australia

Collection Explorer

4

Collections

  • Timothy Millett collection(314)

    Convict love token from James Brooker, 1820
    Convict love token from W. S., 1831
    Convict love token from J.E.
    Convict love token from James Broker, 1820

    The Timothy Millett collection comprises 307 convict love tokens dating from 1762 to 1856, and seven contemporary documents relating to the criminal justice system including: recommendations to commute the death sentences of Hester Sampson and Thomas Hayes to life transportation; a calendar of prisoners awaiting trial in the goals of Durham, Newcastle and Northumberland; a request to the Middlesex assizes for rewards to be paid; a printed copy of George Skene's last speech prior to execution; a printed broadside listing prisoners in Dorchester jail awaiting transportation; and a 60 page handwritten account of the life of Thomas Jones, who was transported twice and finally hanged at Winchester Prison in 1856.

    Convict love tokens, typically made from smoothed-down coins and engraved or stippled with a message, derive from traditional sailors' farewells. The production of these 'leaden hearts' rose as criminal indictments increased in Britain, with the majority produced during the 1820s and 1830s. As mementos made by or for convicts facing transportation (or death) to leave behind for their loved ones, the tokens provide a poignant, personal insight into the transportation system.

  • Josef Lebovic Gallery collection no. 1(7553)

    Nobbies, Port Macquarie
    Postcard featuring photograph captioned Carrying on the Western Roads
    Students outside a school at Warat
    St Andrew's Rectory, Seven Hills
  • American-Australian Scientific Expedition to Arnhem Land (AASEAL) collection(218)

    Armband
    Cylindrical fibre basket
    Weapon - Spear
    The Magellan Clouds
  • William and Jeanette Derham Family - Bendigo Pottery collection(417)

    Ceramic ewer jug 1882
    Ceramic vase
    Ceramic jardiniere
    Ceramic cheese dish with lid

    The William and Jeanette Derham family collection is the physical manifestation of Mr Derham's commitment to documenting the work of Bendigo Pottery, its wares and institutional history, as well as the association he and his family had with the business between 1968 and 1983. The collection consists of historic Bendigo Pottery ceramics from the 19th and 20th centuries which illustrate the diversity of wares produced between 1858 and 1971, as well as a comprehensive range of items manufactured during the Derham era. This material is supported by a unique collection of stamps and printing blocks used as part of the manufacturing and advertising processes as well as documentary materials, photographs and ephemera which illustrate working life at Bendigo Pottery.

    Since its establishment in 1858, Bendigo Pottery has played a significant role in the history of Australian ceramics, producing wares ranging from the domestic and decorative, to the utilitarian and industrial. The history of the business illustrates the process of technological transfer in the decorative arts, the adaptation of imported ceramic traditions to local markets and the development of distinctively Australian imagery, styles and pottery products. Bendigo Pottery has provided useful products and employment opportunities to the community for 150 years and on an aesthetic level ensured that the skills of the potter, which so easily could have been lost with the advent of mass production techniques, have been preserved for posterity.

  • Joan Richmond collection(50)

    Trophy relating to Joan Richmond for car racing event won in 1932
    Letter from Joan Richmond - Basra
    Letter and envelope from Joan Richmond - Italy
    Letter and envelope from Joan Richmond - Cairo

    The Joan Richmond collection consists of items related to the motor racing career of Joan Richmond. These include a racing suit, goggles, a trophy, number plates, a personal journal, letters, photographs and newspaper clippings.

    Joan Richmond (1905-1999) was a successful racing car driver at a time when women racing drivers were not only a rarity, but competed in the same events as men. Richmond's first major event was the 1931 Australian Grand Prix at Phillip Island in which she drove a Riley and placed a creditable fifth. Shortly after, Richmond and four friends embarked on an overland journey from Australia to Europe in order to compete in the Monte Carlo rally. This journey is credited as the first international overland tour to have originated from Australia. Following the group's successful completion of the rally, Victor Riley offerd to sponsor Richmond and in 1932, she supported the English racing car driver, Elsie Wisdom, to win the 1000 Mile Race at Brooklands. Throughout the 1930s, Richmond stayed in England and competed in more motor racing events, including several Monte Carlo rallies and the Le Mans 24 Hour race. She returned to Australia in the 1940s but was unable to continue her motor racing career due to a lack of money and sponsorship. Joan Richmond died in Melbourne in 1999.

  • Jim McMahon collection(20)

    Bookmaker's bag belonging to Jim McMahon
    Betting board
    'Jim McMahon' bookmaker's sign
    Betting Board

    The Jim McMahon Collection consists of a horseracing bookmaker's betting board, a greyhound racing bookmaker's betting board, bookmaker's betting tickets, ticket holders, personalised bookmaker's bag marked 'Jim McMahon Canberra', betting board stands and four carrying cases. These items were used by Jim McMahon in Canberra and the Southern Districts region from 1983 until 1994.

    Horseracing has played an integral role in Australian sporting, social and economic history. Bookmakers were once a vital and colourful presence on the racetrack and betting on the horses, through a bookie, was the first legal form of gambling in Australia. Developments in computerised betting technology and an increase in the available choices of other gambling attractions has seen the number of bookmakers steadily decline. The bookmaker's profession is fast becoming redundant and their equipment obsolete.

  • Maningrida Arts and Crafts 26/11/1973 collection(25)

    Painting depicts a spirit in a round waterhole, humans and log coffin (or a fishtrap)
    Spearthrower
    Stingray (NGO-AIA).
    Barrungun
  • Banks Florilegium collection(2476)

    Crataeva religiosa Capparidaceae
    Crotalaria verrucosa
    Dendrobium discolor
    Bougainvillea spectabilis Nyctaginaceae

    The Banks' Florilegium was published by Alecto Historical Editions (London) in association with the British Museum (Natural History) between 1980 and 1990. Each of the 100 sets that comprise the edition consists of seven hundred and forty three botanical line engravings, after the watercolours drawn from nature by Sydney Parkinson recording the plants collected by Joseph Banks and Dr Daniel Carl Solander during their voyage round the world on HMB 'Endeavour' with Lieutenant James Cook, 1768-1771. Each set is divided into 35 parts and housed in Solander Boxes. Each print or sheet within the set is identified by a blind embossed stamp on the recto, recording the publisher's and printer's chops (ie: their signatures), the copyright symbol and date. The initials of the individual printer, the plate number and the edition number are recorded in pencil. The plate-marks are virtually uniform in size: 18 x 12 inches (457 x 305 mm), and the paper is Somerset mould-made 300gsm, each sheet watermarked 'AHE' and produced specially for this edition by the Inveresk Paper Company. The sheet of paper on which the image is printed measures 28 ½ x 21 inches (724 x 556 mm), and each of the engravings is protected within a double-fold sheet of the same acid free paper which has been cut to form a window mount. Every print includes watercolour embellishments added by artists working directly from Banks' own notes. The condition of the Museum's set, No 5/100, is excellent.

    The Banks' Florilegium records and celebrates the botanical discoveries made during the first voyage of scientific discovery undertaken by Britain's Royal Navy. In addition to the vast collections of botanical and zoological specimens created, astronomical observations made and accurate maps compiled during HMB Endeavour's voyage to the Pacific, the east coast of Australia was mapped and claimed for the British Crown, leading 18 years later to the establishment of a colony in New South Wales. Joseph Banks, who financed and led the natural history contingent onboard the Endeavour, planned to publish the botanical results of the voyage in a 14 volume folio work. He hired artists to complete Sydney Parkinson's drawings and engaged a team of 18 engravers to create the copperplates. The project took 12 years and was then put aside by Banks who was by now President of the Royal Society and closely involved with the Royal Horticultural Society, Kew Gardens, the British Museum and was a friend of and unofficial advisor to the King. Sir Joseph, as he became in 1781, would go on to serve as a member of the Board of Longitude, the Coin Committe and the Privy Council's Committee for Trade, and Plantations, and his wealth, social position and extraordinary range of contacts within the political, scientific, manufacturing and diplomatic spheres made him one of the most influential figures of his day. Although the Florilegium was not published during his lifetime, he took steps for its preservation and made the drawings, notes and specimens upon which it is based available to interested visitors to the Herbarium he maintained at his home.

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