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National Museum of Australia

Where our stories come alive

Collection Explorer

4

Collections

  • Josef Lebovic Gallery collection no. 1(7551)

    Man, woman, and a young girl
    King William Street, looking south, Adelaide, SA
    Mrs. Macquarie's Chair and Farm Cove
    Harvest-Time in Australia
  • Warakurna History Paintings collection(33)

    Lasseter Story by Eunice Yunurupa Porter
    Early Days Ways by Judith Yinyika Chambers
    Making Paintings, Punu and Tjanpi by Roshanna Yinga Williamson
    Kungkarangkalpa by Judith Yinyika Chambers

    This collection consists of thirty-three paintings produced by Warakurna Artists for a collaborative commercial exhibition with the Outstation Gallery in Darwin. The exhibition, 'History Paintings - All the Stories got into our minds and eyes', opened in May 2011.

    The collection is significant as a broad and comprehensive body of work that presents a series of (related) Aboriginal perspectives on events in Australian history, some of which fundamentally challenge other accounts in the historical record. The collection documents the historical perspective of Ngaanyatjarra people who currently reside in the community of Warakurna. Contextualised by more customary mythic narratives, most of the works address historical events and provide an insight into the Aboriginal experience of contact on the colonial frontier. Taken together, from the Seven Sisters Dreaming to football carnivals in Warakurna today, the collection encompasses 100 years (and more) of history in the Ngaanyatjarra lands.

  • Australian Institute of Anatomy collection(160)

    Spearhead
    Spearhead
    Spearhead
    Spearhead
  • School of Public Health and Tropical Medicine collection(121)

    Oertling 62FM beam balance
    Carl Zeiss F14471 monocular microscope and accessories
    Watson 514402 monocular microscope and box
    Zeiss 188014 binocular microscope and box
  • Timothy Millett collection(313)

    Convict love token from W. Sindary, 1827
    Convict love token from William Reynolds, 1829
    Convict love token from Joseph Podmore and John Sheperd, 1769
    Convict love token from H. Rye, 1834

    The Timothy Millett collection comprises 307 convict love tokens dating from 1762 to 1856, and seven contemporary documents relating to the criminal justice system including: recommendations to commute the death sentences of Hester Sampson and Thomas Hayes to life transportation; a calendar of prisoners awaiting trial in the goals of Durham, Newcastle and Northumberland; a request to the Middlesex assizes for rewards to be paid; a printed copy of George Skene's last speech prior to execution; a printed broadside listing prisoners in Dorchester jail awaiting transportation; and a 60 page handwritten account of the life of Thomas Jones, who was transported twice and finally hanged at Winchester Prison in 1856.

    Convict love tokens, typically made from smoothed-down coins and engraved or stippled with a message, derive from traditional sailors' farewells. The production of these 'leaden hearts' rose as criminal indictments increased in Britain, with the majority produced during the 1820s and 1830s. As mementos made by or for convicts facing transportation (or death) to leave behind for their loved ones, the tokens provide a poignant, personal insight into the transportation system.

  • Springfield - Faithfull Family collection(3501)

    Pincushion with pins
    Hazel, Florence & Clarice
    Sir Charles Wentworth Dilke standing in a garden.
    Hand-drawn map of the original land ownership in the Springfield area

    The Springfield Collection comprises about 1550 artefacts from Springfield station, south of Goulburn. It includes colonial era costume, a bushranger medal, surveying instruments, a late-19th century landau, firearms and edged weapons, wool samples and Joseph Foveaux's pocket watch and bible. The objects are complemented by over 400 photographs. This diverse collection reflects the growth and economic success of the property, responses to changes in the wool market and the daily lives of the people who have lived on Springfield.

    Springfield has grown from a 518-hectare land grant given to William Pitt Faithfull in 1828 to the current 3183 hectares with ownership remaining in the one family. William Pitt Faithfull established the Springfield Merino Stud in 1838 with ten rams selected from the Macarthur Camden Park stud. The stud evolved slowly over the years until the early 1950s when, under the management of Jim Maple-Brown, a scientific approach to wool-growing was adopted and the stud's name was changed to Fonthill to reflect this.

  • I Dowdle collection(8)

    Record of Sessions House, Old Bailey
    Permission for convict Edward Evans to pass from Launceston to Campbell Town Police Office
    Second leaf of Record of Sessions House, Old Bailey
    Document about the conviction and incarceration of convict Josiah Halton
  • Nettie McColive collection(189)

    Certificate
    Certificate
    Certificate
    Certificate

    Needlework has been an important creative outlet for women throughout Australian history. This work has often been denigrated due to the (gendered) divide between high and low culture which regards domestic work as trivial, feminine and unworthy of the title "Art". A reassessment of history informed by womens' history and feminism has led to domestic needlework being acknowledged as more than simply functional labour. The social role of this type of work is now better appreciated making it a vital aspect of domestic material culture.

    This collection consists of objects relating to the life of Minetta (Nettie) McColive (nee Huppatz). Mrs McColive's quilts form the centre piece of the collection. Three of these were made in the 1930's, the Farm Life Quilt, Wildflowers Quilt and the International Quilt. Also featured in the collection are certificates, photographs and d'oyleys. This collection helps to document issues such as women in rural Australia, quilting and needlework, education in the outback, community or commemorative quilting, shows and competitions.

    Mrs McColive's work has been the subject of considerable interest both in South Australia as well as in the general quilting community. Her work is featured in two books, Jennifer Isaac's The Gentle Arts and Margaret Rolfe's Patchwork Quilts in Australia. Her work has also featured in exhibitions such as the Quilt Australia '88 exhibition as well as an exhibition held in Prospect showcasing the work of local artists.

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